Pat Metheny has spoken many times about his “voice,” and obviously that voice comes in many flavors — from the hollow body guitar, the various acoustics, the Red One, the Pikasso, the Orchestrion.
When we last encountered Connecticut restaurateur and alto saxophonist Matt Criscuolo in 2009, he had made an interesting record that supplemented a base jazz quartet with a violin/violin/viola/cello quartet. Melancholia accentuated a crisp, post-bop swing with the stately refinement of a small string ensemble.
So many great records to rave about…and so little time to rave. Last year I started a new tradition with a “just one more list before we’re done with lists” kind of list.
Bobby Watson, over a career that began with his meteoric rise to musical director in Art Blakey’s Jazz Messengers at the turn of the 1980s, hasn’t shied away from the political.
Released in 1979, New Chautauqua is by far my favorite Pat Metheny solo record. OK, sure…there haven’t been that many Metheny solo records.
Best of the Best: The Official™ Something Else! Top 10 for 2013: Steven Wilson, Black Sabbath, The Band
Every one has had their individual say, made their choices, argued the point. Now, it’s time for consensus ruling from the bench: Here is The Official™ Top 10 for 2013 from Something Else!
It seems that in the early seventies, many of the notable jazz musicians of the sixties went electric and dabbled in fusion.
Jane Ira Bloom is a most adventurous soprano saxophonist, but sometimes even those musicians who thrive on the edge feel a need to go back to a simpler time when the beauty of a melody was paramount
Old lions — namely Wayne Shorter, Boz Scaggs and James Cotton — certainly roared in 2013, putting out some of the most vital, present music of their careers.
From the shades of Weather Report in its opening tumble of descending chords to the inspired solo passages to the explosive ending, “The Epic” brings to mind (in retrospect) some of Pat Metheny’s through-composed material such as The Way Up.