If this terrific collaboration between Dutch jazz heavies is ‘The New Wave of Dutch Heavy Jazz,’ then let the waves roll over us.
Gary Burton’s country-jazz experiment ‘Tennessee Firebird’ broke every rule. He joins Tom Wilmeth to discuss a gutsy decision to record in Nashville.
The musicianship gets this improvised chamber jazz concept off the ground, but it’s the bottomless imaginations of Shipp, Maneri and Bisio that make ‘The Gospel According To Matthew and Michael’ fly.
‘Conversations With Owls’ is a thoughful, exploratory collaboration by Jeff Cosgrove, Frank Kimbrough and Martin Wind.
Terry Day, who rose to fame with the Continuous Music Ensemble and the People Band, inspires those around him to seek a little further.
Here is a review of the seventh song from Nick Hempton’s ‘Catch and Release’ series. “Catch Up” features his base quartet playing a little free form jazz.
‘Moonlight’ covers a lot ground musically, yet Armenian-born keyboardist Vahagn Stepanyan manages to hit the mark with each song.
Here is a review of Ben Goldberg’s ‘Orphic Machine’, his salute to the influence of his old college professor, the late poet Allen Grossman. Goldberg, once again sublimely assimilates so many disparate influences, and is able to distill them into a product he projects through his own, kaleidoscopic lens.
Pat Martino was moved to pick up the guitar again after hearing Jim Ridl, and that deep connection is thrown into high relief on this standout track.
Joey Calderazzo’s “Mike’s Song” keeps his fallen leader Michael Brecker’s spirit alive and strong with nary a single note blown from a horn.