With fearless players like Jon Irabagon and Joe Fonda at his side, that old school guy Barry Altschul remains on the edge of jazz as much as he ever was.
A masterful meeting of free, kindred souls, White Out + Nels Cline’s ‘Accidental Sky’ was created spontaneously to capture moments impossible to contemplate.
The free-playing Barker Trio strikes wide contrasting moods, not allowing themselves to be limited by a limited number of instruments.
Michael J. McEvoy joins us to discuss working with famous acts like Steve Winwood, how nature sparks his muse and the death of the American dream.
Adam Larson’s forthcoming ‘Selective Amnesia’ shows maturity, virtuosity and elegance – and does so in just eight songs.
For the Matthew Shipp Trio’s first album with drummer Newman Taylor Baker, ‘The Conduct of Jazz’ honors the real jazz tradition of breaking outside of previously placed constraints.
Ola Onabule has released eight albums in a career stretching more than two decades, yet there remains about him a sense of fierce independence.
Here is the premiere of Chicago drummer/composer Charles Rumback’s title track from his upcoming quintet release ‘In The new Year’.
How things have changed since my last Kitty La Roar gig. Paired now with Nick Shankland and Benet McLean, she has an even greater depth.
Released on Oct. 11, 1972, Miles Davis’ ‘On the Corner’ remains fresh and funky. So, why isn’t it more widely accepted as a fusion masterpiece?