by Pico Lately it seems every other article I write has some sort of Miles Davis connection to it (and I have yet another piece about a Davis sideman sitting in the pipeline). But as a lover of the early style of fusion as well as just about any form of adventurous jazz, it’s hard to ignore the man’s vastRead More
by S. Victor Aaron That Keith Jarrett, he’s one amazing individual. Consider: · In the middle of the domination of jazz by wanking electric guitarists and keyboardists in 1975, KJ sits down in front of an audience in West Germany armed with only a piano, starts playing whatever came out of his head for about an hour and the recordingRead More
Ahhhh, Friday night. As R.L. Burnside would say, “I know godd—ed well it’s party time.” But the blues isn’t the only place you’ll find the Good Lord’s name uttered in vain. Thanks to Les McCann, you can also find that commandment broken in a soul-jazz ditty that he made a classic of the vein. That’s right, you old hippies, youRead More
by Pico When the phrase “jazz musician from Louisiana” is thrown out, thoughts of New Orleans immediately spring to mind. And while it’s true that NOLA is the state’s, natch, the region’s jazz hub, you can find a few from Up North over in Nick’s neck of the woods who have met success. Take, for example, Shreveport native Brian Blade.Read More
by S. Victor Aaron I was trying to get mentally prepared to actually describe a Charlie Hunter record when on a whim I decided to cue up GB’s The Other Side Of Abbey Road. That got me to thinking about Nick’s piece on the best Beatle remakes (hey Nick, I forgot one: Stevie Wonder’s sizzling 1970 version of “We CanRead More
by Nick DeRiso Was grooving to a 2002 reissue of the titanic groovefest ‘Power of Soul’ tonight, and got to thinking about Idris Muhammad – a funk and jazz drummer of the first order, born in New Orleans as Leo Morris. He started out, of course, playing in soul bands, and some great ones – with Larry Williams and JerryRead More
Gimme Five: Overlooked jazz guitar recordings by Emily Remler, Larry Coryell, Pat Martino, Danny Gatton, John McLaughlin
by S. Victor Aaron My look at jazz guitar records that didn’t get their due.
by Nick DeRiso What an unmitigated triumph for all involved. And what a cast it is: There’s Miles and Cannon, course. (Adderley had left his own group in 1957 to join Miles.)
Gimme Five: Overlooked jazz piano recordings by Bill Evans, Chick Corea, Keith Jarrett, Herbie Hancock, Dave Brubeck
We already did piano men, but they were all by underrecognized artists. Now, it’s time to look at albums by the big names that didn’t get the kudos of their better known companions, but should have:
On June 30, 2001, tenor saxophonist great Joe Henderson passed away. Among one of the giants in a crowded field of post-bop saxmen who sprang up in the fifities and sixties, Henderson nonetheless never got his due until nearly a quarter century after his superb 1963 debut Page One.