‘Live At Maxwell’s’ is the first album to give those of us who hadn’t been able to see Duane Eubanks lead on the bandstand a taste of what he’s capable of in such a setting. We could use many more tastes like this.
People seeking adventurous music should seek out Marc Ribot adventures like ‘Live In Tokyo’ because he does it with such attitude, resourcefulness and — dare I say — fun.
‘Unstatic’ remains very much in keeping with the style of French rock-jazz drumming extraordinaire Manu Katché, a style that continues to discreetly evolve and stay very much engaging.
With a classic tenor sax tone, top drawer backing band and great tunes and arrangements all present in ‘Gratitude’, it’s just hard to go wrong with this record.
As we reach the half-way mark, Preston Frazier offers an endlessly varied Mid-Year Best of 2016 list that spans genres and generations.
With a clear head and a strong sense of purpose — and the like-minded Vinny Golia on board — Rich Halley keeps on producing abundantly creative modern jazz firmly grounded in all the great traditions of the music form.
Brian Charette’s newest album ‘Once & Future’ the perfect record for aspiring (and accomplished) organ-jazz players…and listeners as well.
More haunting, impulsive and memorable music from the multi-instrumentalist Kali Z. Fasteau, who made the always surprising ‘Intuit’ with fellow improv veterans Kidd Jordan and L. Mixashawn Rozi.
The E.S.T. from Down Under? With the Casey Golden Trio’s new EP ‘Miniature’, it’s sounding more and more like they are.
Five years seems too long between releases for modern jazz guitarist and composer Sebastian Noelle when the a release like ‘Shelter’ sounds so sweet.