Forget everything you know about Brad Mehldau, who rose to fame via contemplative classical-leaning reimagingings of pop songs at an acoustic piano. This isn’t that. It isn’t even jazz
Beyoncé’s eponymous fifth album took many by surprise with its release on December 13 via iTunes without any hype or promotion, but perhaps what’s most surprising – and exhilarating – about this release is the actual music
Jaimeo Brown’s work on the forthcoming Transcendence reflects the stirring continuity of traditions, as Deep South gospel is melded with blues is melded with jazz is melded with rock is melded with hip hop is melded with electronica.
Imagine guitarist Andy Summers’ surprise when he heard his iconic riff from the Police’s “Every Breath You Take” for the first time as part of a Puff Daddy song — on his kid’s radio.
Ah, the year’s end approaches and I’m sitting here thinking about coming up with some cohesive statement about the 365 days gone by. Or rather, I’m actually at a remove…thinking about the person in his chair who’s struggling to figure out what goes in box. The truth is, that person is very, very tired. By the events of the year?Read More
The 2013 class of the Rock and Roll Hall of Fame has been finalized, and Rush, Public Enemy and Heart are among the new members.
‘It’s a strange thing’: Greg Lake is still not over Kanye West’s sample of ’21st Century Schizoid Man’
Greg Lake marvels at how current “21st Century Schizoid Man,” recorded during his co-founding stint with King Crimson in 1969, continues to sound some four decades later. So much so, in fact, that it was sampled by Kanye West.
We’ve finally answered an age-old question from the decade, as our intrepid panel of shipwrecked music lovers definitively chose Prince over Michael Jackson — not to mention Stevie Wonder, Public Enemy, Rick James and Run-DMC
A friend of mine has informed me that the technical, WeatherChannel description for the kind of weather we’re having right now is “ball-sweating hot.” Funny, I’ve never heard that phrase used during one of those “On The 8′s” broadcasts.
With a proposed album of covers with Crosby Stills and Nash now scuttled, never-ending delays with ZZ Top’s new project, and similar mishaps with Slipnot and Muse, the question becomes: Has Rick Rubin, once a sure-fire producer, lost his touch?