True to its name, James Brandon Lewis’ classic hip hop/jazz hybrid ‘No Filter’ puts seemingly nothing between what he hears in his head and what you hear on this record.
There is a display of chops going on with Burnt Belief’s “Ghosts Aquatic.” It’s all there in the guise of subtle sublimity.
Ian East’s ‘Inner Paths’ is an ethnic fusion album that’s fun to listen to now and will be fun to listen to a hundred plays from now. Getting a world music education can hardly be more enjoyable than listening to this.
When Carl Weingarten decides to create his soundscapes with little or no augmentation from others, it’s a flair that can be appreciated and enjoyed at its maximum potential.
It’s hard to imagine Ohio’s funky jazz-rock sextet Huntertones sounding any better than this. And that’s saying something.
San Francisco Bay Area drums/organ sensation Amendola vs Blades quest to finally putting out a record is near the end; please pledge to their crowdfunding project to put them over the top!
What you get when DeJohnette combines with guys named Coltrane and Garrison doesn’t exactly square up with the mental picture (or rather, mental music) most jazzbos might imagine when those three names are put together. Nonetheless, ‘In Movement’ is no less gratifying.
With the funky-tight ‘Jeff Oster Live!’, Oster and his band replicate the sophistication of the studio as well as the immediacy of the stage.
Mostly an alternative presentation of ‘Road Games’, Allan Holdsworth’s chaff is superior to most guitarists’ wheat and after fifteen years of no studio material cut loose, it’s good to see any production from him.
‘Behind The Vibration’ is a typical Rez Abbasi album in the sense that when you think he’s about to run out of ideas and start repeating himself, he’ll come out with something fresh and stimulating that builds upon what he’s made before.