Though I don’t know exactly what Psychomagia means, the name oddly fits the sometimes-manic and often-magical music performed on John Zorn’s latest project to be released, out just last month from his Tzadik label.
Over the course of Pat Metheny‘s long and erudite career, I’ve considered his non-Metheny Group side projects as mostly separate, with little or no musical/stylist overlap.
If jazz is dead, then why are there still new forms of it popping up everywhere?
We never question the notion of two guitarists playing alongside each other but the idea of two bassists doubling up the low end still seems to be an exotic proposition.
It’s easy enough to focus on the initial dry-ice fluidity that guitarist John McLaughlin brings to this advance track from the forthcoming Boston Record, recorded live at the Berklee College of Music. Instead, take a moment to let Etienne Mbappe’s chocolatey sweet bass line envelop you.
Wayne Escoffery returns to his hometown New Haven, Connecticut to tape a live performance with his latest quintet and the feels right at home during the gig, captured on his upcoming album Live At Firehouse 12.
Though my mind sometimes likes to classify all “big band” jazz into that Benny Goodman/Glenn Miller/Paul Whiteman box, doing so ignores the innovations in working with larger groups brought by Fletcher Henderson, Sun Ra and, mostly prominently, Duke Ellington.
With Out in Space, Paul Wertico, a seven-time Grammy winner who rose to fame with the Pat Metheny Group, expands on the successes of last year’s collaboration with David Cain.
Wilco lead axe man and everyone’s favorite experimental rock-jazz guitarist Nels Cline is poised to unleash his fifth album leading his Nels Cline Singers on April 29.
There are probably scores of thrash jazz combos out there and when I’m of the right mind and the wife is not around, I can enjoy listening to every single one of them. Sweet Banditry is one of the latest such units to come around