By fully accommodating Stomu Takeishi while remaining true to themselves, Mole is renewed and nowhere close to running out of steam.
With ‘All Purpose Music,’ the Virginia-based soul-funk-jazz quartet Butcher Brown shows why Nicholas Payton is so fired up about this band.
The impromptu nature of this collaboration among free-jazz aces Andrew Barker, Paul Dunmall and Tim Dahl makes ‘Luddite’ great.
‘Crimen Sonoro’ is a muscular, multicultural fusion jazz from the funky, metal/jazz/hip-hop/mariachi sextet out of Mexico.
Here is a review of ‘Black Peplum’ by the Paris-based jazzcore trio Hippie Diktat.
Here is a review of ‘The Process’ by Bill Laswell, Chad Smith and Jon Batiste, a meeting of the minds of master musicians who hadn’t previously met.
Ferenc Nemeth and Attila Laszlo [featuring the Yellowjackets’ Jimmy Haslip + Russell Ferrante] – Bridges of Souls (2014)
Here’s a review of ‘Bridges of Souls,’ a tasteful fusion excursion from Hungarian drum ace Ferenc Nemeth and Hugarian guitar ace Attila Laszlo.
Powered by the garage jazz-rock songs of Gregory Howe and Matt Montgomery with the brash saxophone stylings of Kamasi Washington, Throttle Elevator Music is back with a second helping.
South Indian jazz is practically Arun Ramamurthy’s life’s calling and he answers that call to virtual perfection with ‘Jazz Carnatica.’
We review ‘Blues and Daily News’ by Ross Hammond and Grant Calvin Weston, a creative guitar/drums improv record.