Jacob Garchik’s ‘Ye Olde’ might be about the hardest rockin’ thinking man’s fusion record in recent memory.
With a kindred soul in Nicolas Moreaux as Jeremy Udden’s musical partner, ‘Belleville Project’ is a record made by two people but one, prolific mind.
The perfect pairing of Eraldo Bernocchi with Colin Edwin makes ‘Doctoring The Dead’ well worth this second helping of Metallic Taste of Blood.
Never out of ideas or ways for his band of super avanteers to exploit them, Brian Drye does it again. ‘Eggs Up High’ keeps the Bizingas’ creative zeal going strong.
Los Lobos, Patrick Moraz, Geoff Downes + others: Preston Frazier’s Five Recommended Stocking Stuffer CDs
A pair of musicians with Yes affiliations are among Preston Frazier’s recommendations for Best of 2015 gift ideas.
The music that Velocity plays is sometimes complex but always easy on the ears. That’s why ‘Displacement Over Time’ is easy to recommend if old school funk-jazz is your thing.
Released 35 years ago, ’80/81′ comfortably visits “out” material and more straight ahead jazz, with a healthy introduction to Pat Metheny’s idea of “folk jazz.”
As brilliant as N’Dea Davenport is, I’m drawn more these days to feel-good instrumentals on the Brand New Heavies’ self-titled album from 25 years ago.
The highly intuitive and forceful nature of the drummer Jeremy Carlstedt shines through to lend cohesion and makes ‘Stars Are Far’ a gripping excursion that tests the limits of rock-jazz.
The magic we’ve heard from these virtuosos over all these years has been rekindled with the ‘D-Stringz’ project, and without the need to burn fossil fuels.