When a musician of Spalding’s caliber makes an “I don’t give a damn what the people think” kind of record, that’s exactly when the people need to pay the most attention.
Talented trombonist/composer Matthew Hartnett has identified something culturally valuable in every environment he’s found himself in to make a remarkable introduction.
Daevid Allen’s final recording is as he’s always sounded: like he’s still frolicking in 1970 trying to imagine what music might be like in 2020 if we had lost our minds along the way,
Groove Legacy are new torchbearers who have the wherewithal to resurrect the glorious past of 70s funk-jazz with all the intuition and understanding of those who were there.
The spiritually soothing music of Sameer Gupta and Ross Hammond’s “Upward” is a simple pleasure in any culture.
Jaimeo Brown and Chris Sholar are able to make sense of traditional work songs from the American South and all corners of the world all and place it in the context of the present.
Eight years after Ramsey Lewis gave him his first big break, Maurice White returned the favor to Lewis by lending his talents to an album that put Lewis back in the public spotlight.
The progressive fusion supergroup Naked Truth had already gotten off to a nice start with their first two projects. Now with ‘Avian Thug’, they have have reached cruising altitude.
Toronto bassist and composer Brad Cheeseman is releasing a four-track EP, but with ambition.
Through the magic of cinematography and editing, Gutbucket show how their angular wallop can inspire dancing in this world premiere video of “Luton”.