Almost Hits: The Eagles, “Busy Being Fabulous” (2008)
Released in 2008 from the Eagles’ double-album set Long Road Out of Eden, “Busy Being Fabulous” is a song that shows Don Henley to be in typical high quality form.
Read more ›Released in 2008 from the Eagles’ double-album set Long Road Out of Eden, “Busy Being Fabulous” is a song that shows Don Henley to be in typical high quality form.
Read more ›To answer the obvious question, yes the Howlin’ Brothers do indeed howl on their major label debut called Howl. They also hoot, holler, bash away at banjos while fiddling as the barn burns down.
Read more ›For years, John Oates was known for his work with Daryl Hall. These days, he’s working with a dizzying array of big-name collaborators — from Vince Gill to Hot Chelle Rae, not to mention producers for Taylor Swift and Eric Clapton.
Read more ›Missing longtime member Tom Pittman, but none of the knee-slapping fun, the Austin Lounge Lizards’ fizzy Home and Deranged takes on such typically topical subjects as airport patdowns, big-ego music stars, fat-cat bankers and government conspiracy theories.
Read more ›Arriving as it does amidst of flurry of similarly themed songbook albums — from Rod Stewart to Paul McCartney to Jeff Lynne — Let’s Face the Music and Dance reminds us of Willie Nelson’s age-old command of the genre.
Read more ›When Bob Wayne took a few minutes from his road-dog touring schedule for an SER Sitdown, we talked to him about some of our favorite tracks from his two Century Media releases
Read more ›Though his music is very much set in the world of traditional country, filled with banjos, fiddles and, for the most part, nary a distorted guitar to be found, Bob Wayne is not what you’d call a traditional country musician.
Read more ›There has been, over the last months, much more chatter about Robert Plant’s private affairs with Patty Griffin than anything they’ve done in the studio. “Ohio,” from Griffin’s upcoming release American Kid, changes that.
Read more ›With John Oates of Hall and Oates fame, the worry might have been that his on-going Nashville residency would lead to a turn toward the soft commercialism of modern-day country music.
Read more ›A raunchy, no-bullshit punkabilly record, Where Do You Want It? begins with a paean to snot-slinging drunkeness — and the Beaumonts never take their steel-toed boot off the gas.
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