For this episode of Quickies, we stick mainly with the jazz genre with a couple of diversions to other styles found here and there. These new releases all start with traditional jazz, but our protagonists each put their own little twist on it. Our first entrant is a well-known quantityRead More

For this installment of Quickies, the inaugural releases of a new label dedicated to presenting the music of talented up and coming jazz musicians are highlighted. These musicians are all members of an artist collective, the Brooklyn Jazz Underground, and this spring saw the launching of the collective’s Brooklyn JazzRead More

by S. Victor Aaron Nutini, from North Of England Way, got notice from performing his songs in London showcase clubs and ended up signed by Atlantic Records when he was barely 18. Soon afterwards in ’06, he recorded this gem of a debut album. These Streets doesn’t seek to stealRead More

by S. Victor Aaron This is one I’ve been eagerly anticipating for a while; I’ve even said as much when I reviewed his last album, Perceptual. The wait finally ended on May 8 with the release of Season Of Changes. In that eight year span, Blade was providing drumming forRead More

I’ve got a problem but it’s the good kind of problem. There’s a backlog of CD’s sitting on my desk deserving of some shout-outs. So much so, it make take two or more additional “Quickies” to clear off this stack. With just a little time for writing at the momentRead More

Oscar Peterson, one of jazz music’s most recognizable modern-day pianists, was felled on Sunday not from the lingering effects of a 1993 stroke — he kept playing after that — but from kidney failure. He passed, aged 82, in his native Canada outside Toronto. Peterson’s stroke compromised his left handRead More

by S. Victor Aaron The thing that amazes me when exploring Brazilian music is that while there are usually a lot characteristics you can find in most music out of that country, overall the music is much more diverse than the Brazilians get credit for here in America. That reallyRead More

S. Victor Aaron Evidently, the word “constellation” in your CD title means you’re gonna stretch people’s ears. But while Roseman does it with trippy reggae-jazz, Eisenbeil gets it done with good old fashioned free (read: whack) jazz. Eisenbell is clearly influenced by that godfather of free form guitar, Derek Bailey,Read More

by S. Victor Aaron I remember trombone player Josh Roseman from his notable appearance on my favorite Charlie Hunter album. He had a certain sass in his sound that stood out and made me think he wasn’t content with being a run-of-the-mill bone player. But that thought never got muchRead More