Victor Assis Brasil left behind several quality works to explore but his Jobim tribute ‘Toca Antonio Carlos Jobim’ now reissued is a fine place to start on that journey.
Articles by: S. Victor Aaron
In the exclusive premiere of Eivind Opsvik’s “Brraps!”, the guy making those deft moves on the double bass is the same one wearing a raincoat making deft dance moves in his living room.
In what will likely go down as one of the best uncategorizable releases of the year, Harriet Tubman’s ‘Araminta’ is a swaggering statement from four musicians who thrive on taking chances.
“The Reckoning” track has just been released as a stream and is the opening salvo in this latest campaign by Christian Scott aTunde Adjuah, from the upcoming first leg of the trilogy ‘Ruler Rebel’.
Blurring the lines between art and wit for fourteen years running, Mostly Other People Do The Killing are still making absurdity in jazz fun.
With only two albums to his name alone, Glenn Zaleski is a fully realized talent as a pianist, composer and bandleader. Fellowship is going to delight anybody who relishes Fred Hersch and Keith Jarrett trio records.
Wayne Shorter himself sees the “graphically arranged material of Weather Report” on ‘Weather Or Not’ as Gerry Gibbs keeping up with his “creative mission.”
A back-to-basics record that flows forth with natural ease, ‘Follow Your Heart’ is Ross Hammond practicing what he’s preaching with the title.
Pheonyx is a singing talent that’s a good match for Ginty’s keyboard talent because both rock with a lot of soul, and the songwriting partnership is already paying off dividends. ‘Rockers’ could be the beginning of a beautiful musical relationship.
feature photo: Sal DeVincenzo, courtesy of Cuneiform Records The notion of progressive rock often suggests the melding of rock with some elements of jazz or jazz fusion, due to extended song forms and an emphasis on instrumental prowess. Thinking Plague sets