This remains a strong, too-often overlooked Warren Zevon album. Yet ‘Mr. Bad Example’ marked the beginning of his career’s second act.

Mark Wade, named one of jazz’s Top 10 bassists in the 2016 ‘DownBeat’ readers poll, joins Preston Frazier to discuss his second album ‘Moving Day.’

“I Would Have Waited Forever” kicks off a pieced-together so-called collaboration with four former key members, but they never actually played with Yes in the studio.

The band-written “How Many Times” might have been only O.K. in lesser hands. Instead, this standout ‘Kingdom of Desire’ track confirms the magic that was and still is Toto.

Projekt Gemineye’s ‘A Brand New Day’ is a great continuation of 2017’s ‘An Ordinary Day,’ with a more guitar-centered progressive hard-rock core.

Perhaps with different sonic sensibilities, Yes’ “Holy Lamb (Song for Harmonic Convergence)” could have been great.

Mark Anthony K joins Preston Frazier to discuss Projekt Gemineye’s ‘A Brand New Day,’ the second installment of a song cycle that began with 2017’s ‘An Ordinary Day.’

Preston Frazier’s Best Rock and Pop of 2017 list touches on projects from established legends, as well as up-and-coming and criminally under-appreciated acts.

Preston Frazier’s Best Jazz of 2017 list touches on Lara Bello, Nick Finzer and Chris Greene, as well as other favorites from Joe Jackson sideman Vinnie Zummo and Lucas Pino.

“I’m Running,” the penultimate song on Yes’ 1987 album ‘Big Generator,’ steps out of the arena haze with an interesting but not totally successful gambit.