Carl Palmer discusses how ELP Legacy is boldly refashioning the Emerson Lake and Palmer catalog, and what the future holds for Asia after John Wetton’s death.

The finished version of “Dangerous,” released on Yes’ 1991 album ‘Union,’ stands in stark contrast to Steve Howe’s original demo.

Solitaire Miles is taking a quick break from her Susie Blue persona to dig back into her jazz roots.

This series has often reflected on Steve Lukather’s depth as a balladeer. On Toto’s “I Will Remember,” he once again shines brightly.

David Garfield’s take on “Stay,” the classic Rufus song, features an amazing cast of guest stars who lift this cover to another level.

How did something co-written by Yes legend Rick Wakeman end up as a mostly forgettable song bordering on the pretentious?

A newly unearthed demo reminds us of the genius of Steely Dan co-founder Walter Becker, and what a huge loss we suffered with his death.

Brownout’s instrumental explorations into the music of Public Enemy manage to tell a compelling, socially engaged story without using words.

Billy Sherwood’s future impact on Yes comes into focus with “The More We Live – Let Go,” his first collaboration with Chris Squire.

Simple, nuanced and damn near perfect, Judith Owen’s ‘RedisCOVERed’ meets and occasionally exceeds all expectations.