Like most fans, we were hoping the Rolling Stones would pull out some deep cuts as they convened to celebrate five decades of debauched rock. What we got, however, was “Emotional Rescue”

Best known as the drummer in the barrier-breaking metal band Living Colour, Will Calhoun has quietly put together an impressive resume in jazz — notably performing with Wayne Shorter on the Grammy-winning effort High Life

John Frusciante has released a lengthy, darkly emotional rumination, written for a friend that went back to the guitarist’s days in the Red Hot Chili Peppers. Wayne Forman, tragically, died before he could hear this tribute.

While there is an argument to be had about Baz Luhrmann’s temerity in remaking “The Great Gatsby,” you’ll get no such reservations when it comes to Jack White’s scorching version of this U2 deep cut from the forthcoming soundtrack.

Guitarist Alan Morse joined us just before his band Spock’s Beard gathered to shoot a video for “Submerged,” offering his thoughts on their newly released album Brief Nocturnes and Dreamless Sleep and the band’s new frontman.

The standard-bearing harp influence of Walter Jacobs — he established the vocabulary still used by nearly every amplified modern player — is well documented. This guest-packed concert tribute reminds you of his composing prowess, too.

Jimmy Vivino’s connection with the Band runs deep, and it continues right through to his upcoming release 13 Live, which was recorded at Levon Helm’s rustic concert space.

Missing longtime member Tom Pittman, but none of the knee-slapping fun, the Austin Lounge Lizards’ fizzy Home and Deranged takes on such typically topical subjects as airport patdowns, big-ego music stars, fat-cat bankers and government conspiracy theories.

Midwesterner Dan Hazlett ambles out on The Corner of My Eye with a gently undulating cadence and an ever-so-comfy vocal on “The Alchemy of Fish,” beginning an album-long connection with every classic 1970s-era singer-songwriter type.

The center point of this new Fleetwood Mac EP is a track thought lost from the Buckingham-Nicks era, a song that once might have just been about being in love but now billows with a very mature sense of acceptance.