‘Expedition’ continues a long, provocative journey taken by Denny Zeitlin and George Marsh along the innovative frontier of jazz.

Chris Robinson Brotherhood’s ‘Barefoot In The Head’ doesn’t ape the Black Crowes or the Grateful Dead. It takes the best of both and runs it through its own carefree filter.

Let’s start by saying jazz-fusion normally isn’t my cup of tea, so Chicago’s lengthy instrumental “Devil’s Sweet” came as a surprise.

“Dream Girl” is a effective gateway to the heart of Desmond White’s ‘Glace.’

The fun, dexterous jazz pianist Jason Lyon has just ended his well-received six-year residency at Toulouse Lautrec in London. Now what?

An often-overlooked Yes classic, “Changes” is a testament to a how great the band was during the Trevor Rabin era.

Displaying their broad musical range, Ann and Nancy Wilson remind us why Heart is considered the foremost interpreters of Led Zeppelin.

Always crazy like a fox, Brandon Seabrook might have again made radical art with ‘Die Trommel Fatale,’ but it’s art with plenty of purpose, vision and balls.

A self-proclaimed protest song, decker.’s “Matchstick Man” is never preachy but always engaging. That’s the sign of powerful music.

Chicago always denied being a jazz-fusion band. The opening songs on 1974’s underrated ‘Chicago VII’ say something different.