There is a display of chops going on with Burnt Belief’s “Ghosts Aquatic.” It’s all there in the guise of subtle sublimity.
Archive for October 15th, 2016
The driving “Nightmare” shows once again that the Embrooks are, if anything, consistent. But why remake “Helen”?
The most unmelodic, atonal instrumental Chicago ever released, “Free Country” is not a piece I would ever play separately – but it works as part of the “Travel Suite.”