Sleater-Kinney’s ‘No Cities to Love’ is a set of 10 sharp daggers, clocking in at just a little over 30 minutes and leaving the place a damn wreck.

After a lengthy layoff, the reformulated King Crimson is planning a second tour — and, Tony Levin says, eyeing the possibility to creating new music.

Randy Bachman catches a flinty blues-rock groove in the muscular trio style of the late 1960s. A guitar battle with Peter Frampton then ups the ante.

Here is a review of Gov’t Mule’s first encounter with jazz guitar great John Scofield, ‘Sco-Mule.’ This concert souvenir takes jamming to its highest level.

The brutally honest, toss-off attitude on ‘Milk and Honey’ was more in keeping with John Lennon’s solo career than the slick, celebrated ‘Double Fantasy.’

Chris Smither offers a stripped down, far more aggressive take on 1999’s “Drive You Home Again” for the ‘Signature Sounds 20th Anniversary Collection.’

The best comparison for Fantomas’ ‘Delirium Cordia,’ released today in 2004, was with a film. It required, and rewarded, a similar amount of attention.

It’s easy to think of “Black Sun” as Death Cab for Cutie’s layered farewell to Chris Walla. Instead, it feels more like a new beginning.

With ‘Working On a Dream,’ Bruce Springsteen continued an intriguing journey back to the music of his formative years.

Here is a review of flugelhorn titan Kenny Wheeler’s elegant posthumous release ‘Songs For Quintet.’