I am of two minds on this particular album. When I heard that John Zorn was to put out an album of Ornette Coleman covers, I was definitely thrilled. Zorn was obviously a fan, and has big ears. Would he turn the compositions on their side, taking them in from different angles? Would he slow them down and stretch them out? Or maybe filter them through a completely different style? Angry reggae, maybe?
Well, what he did was to crank them full of amphetamines. Here I have to admit that I was not thrilled after my first listen. Heck, I’m not particularly thrilled all of these years later, but that sort of depends on the day. It seems to depend on whether I’m interesting in hearing Zorn and Tim Berne squeal and honk their way through the Ornette melodies. “Chronology” will give you a decent idea of what the rest of the album is like, though if you hang with it long enough, you’ll see that they sort of slow the tempo toward the later tunes.
I wonder what Ornette thinks of this stuff?
Latest posts by Mark Saleski (see all)
- Bruce Springsteen’s Working On A Dream remains deeply misunderstood - January 27, 2015
- Adrian Belew’s brilliant Side One was a journey through his entire musical history - January 25, 2015
- Bruce Springsteen – Greetings from Asbury Park, N.J. (1973): On Second Thought - January 5, 2015