Willie Nelson, as this song and video make clear, has seen it all in his 81 years. There have been stratospheric highs and just as dizzying lows. More awards than he can count, and plenty of heartache, too. He’s come out on the other side with more than mantel full of momentos, however.
Willie Nelson sounds at peace.
At peace with his place, at peace with himself. At peace with where he’s been but, even more importantly, where he’s headed. That’s no small thing, for musicians of his vintage, who too often spend their last act fruitlessly trying to recapture youth, trying to chase the zeitgeist. Trying too much.
He’s not been immune. “The Wall,” the advance cut from Nelson’s June 17, 2014 release Band of Brothers, arrives like a breath of fresh air during a period more busy than necessarily groundbreaking. Frankly, there has been a little too much time spent lately on duets, frankly silly items or else genre exercises. Still, it was worth the wait.
Willie Nelson, we’re happy to report, is still Willie Nelson. “The Wall” could have been part of any high point in his storied career — as the follow up to “Hello Walls,” as a deep cut on Wanted! The Outlaws, inside the oaken atmospherics of Teatro or as a more personal remembrance by a character from “Ponchy and Lefty.”
Latest posts by Nick DeRiso (see all)
- John Wetton’s complex relationship with a signature Asia tune: ‘American guys went: Yes!’ - July 26, 2015
- Jon Anderson’s Olias of Sunhillow charted a course of separation from Yes - July 24, 2015
- Levon Helm, “A Mood I Was In” from Levon Helm and the RCO All-Stars (1977): Across the Great Divide - July 23, 2015