If “Scratch” is any indication, and the guitarist is already saying it is, John Frusciante’s forthcoming studio project will represent a furiously inventive encapsulation of everything he’s has done so far
Archive for March 19th, 2014
Although A Thousand Miles is Joe Mandica’s first solo effort, the Melbourne, Australia-based singer, songwriter, multi-instrumentalist, and producer has been around the block countless times.
‘I’m not going to crawl into a corner’: Van Halen snub hasn’t slowed ever-optimistic Michael Anthony
Michael Anthony’s transition out of his decades-long tenure in Van Halen was smoothed by the presence of bandmate Sammy Hagar in a new group. Turns out, even with Chickenfoot’s subsequent successes, the two still take time to remember the greatness that came before.
“Sweet Tea,” the just-released lead track from Glenn Hughes and Jason Bonham’s self-titled California Breed debut, makes clear that 23-year-old guitarist Andrew Watt is no Joe Bonamassa. There’s not a whiff of the blues-rock underpinnings from their time with Black Country Communion.
New Orleans blues-rock guitarist Brent Johnson is posied to release his debut album, and you can say he’s paid his dues.
WTF?! Wednesdays: Sonic Youth, “Pendulum Music, for 3 or more microphones, amps & loudspeakers” (1999)
I am more familiar with composer Steve Reich’s percussion/phase work — Six Marimbas, Piano Phase, Drumming — than his more out there material. I’d never even heard of “Pendulum Music” until Sonic Youth created a version of it for their Goodbye 20th Century record.
‘Dark, full of gallows humor and devilment’: Graeae’s confrontational ‘The Threepenny Opera’ delights
Not quite opera, not quite rock ‘n’ roll but certainly worth more than three pennies: The Threepenny Opera — being staged by Graeae with Birmingham Repertory, New Wolsey Theatre, Ipswich, Nottingham Playhouse and the West Yorkshire Theatre Company — is a re-write of Bertolt Brecht and Kurt Weill’s The Beggar’s Opera.