Archive for March 15th, 2014

Vinyl

Jack Bruce – Silver Rails (2014)

Jack Bruce’s forthcoming Silver Rails isn’t a long-hoped-for return to his greatness with Cream, a fiery fusion excursion in the manner of his more recent work with Spectrum Road, or something else entirely. It’s actually a little of all of that You May Also Like: Jack Bruce and Robin TrowerRead More

Forgotten series: Hammond Street 4: A Funky Selection of Organ Grooves (2009)

Forgotten series: Hammond Street 4: A Funky Selection of Organ Grooves (2009)

This fourth volume in a unique series from Acid Jazz Records does not disappoint, collecting contemporary, mostly British groups performing instrumentals on Hammond organ with a Leslie Speaker. You May Also Like: Aviation Blondes – ‘Edge of Forever’ (2009): Forgotten Series Kyte – ‘Kyte’ (2009): Forgotten Series Procol Harum –Read More

Vinyl

John Edwards finds inspiration everywhere: Something Else! Interview

Asked what inspired him, jazz double bassist John Edwards has an instant reply: “Everything inspires, musically.”

Vinyl

‘He played like a songwriter’: The Eagles’ Don Felder on how George Harrison changed everything

Don Felder, the ex-Eagles guitarist, acknowledges a myriad of influences on his sound, from Elvis Presley and B.B. King to Eric Clapton. “Just as important,” he adds, “was the early Beatles stuff” — in particular, Felder says, George Harrison’s approach to the guitar on Meet the Beatles. You May AlsoRead More

Vinyl

John Oates – Good Road to Follow (2014)

John Oates wrote or co-wrote some 82 songs between 1972-2003 as part of Hall and Oates, including the No. 1 hits “I Can’t Go For That” and “Out of Touch.” So, really, it’s easy to understand his interest in mixing it up with some new collaborators. You May Also Like:Read More

(Cross the) Heartland: Pat Metheny, “Pretty Scattered” (1980)

(Cross the) Heartland: Pat Metheny, “Pretty Scattered” (1980)

Sometimes, it’s all about Ornette. On the whole, 80/81 comfortably visits “out” material and more straight ahead jazz, with a healthy introduction to Pat’s idea of “folk jazz.” Some of the glue that holds all of this together is the influence of Ornette Coleman. You May Also Like: Why YouRead More