Archive for March 15th, 2014

Jack Bruce – Silver Rails (2014)

Jack Bruce – Silver Rails (2014)

Jack Bruce’s forthcoming Silver Rails isn’t a long-hoped-for return to his greatness with Cream, a fiery fusion excursion in the manner of his more recent work with Spectrum Road, or something else entirely. It’s actually a little of all of that

Forgotten series: Hammond Street 4: A Funky Selection of Organ Grooves (2009)

Forgotten series: Hammond Street 4: A Funky Selection of Organ Grooves (2009)

This fourth volume in a unique series from Acid Jazz Records does not disappoint, collecting contemporary, mostly British groups performing instrumentals on Hammond organ with a Leslie Speaker.

Something Else! Interview: Double bassist John Edwards finds inspiration everywhere

Something Else! Interview: Double bassist John Edwards finds inspiration everywhere

John Edwards, who has played with many musicians as well as had his own bands and projects, is an extraordinary bass player. He grew up in Hounslow, west London, with an older brother who played drums. John would listen and think: “I’d like to do that.”

‘He played like a songwriter’: The Eagles’ Don Felder on how George Harrison changed everything

‘He played like a songwriter’: The Eagles’ Don Felder on how George Harrison changed everything

Don Felder, the ex-Eagles guitarist, acknowledges a myriad of influences on his sound, from Elvis Presley and B.B. King to Eric Clapton. “Just as important,” he adds, “was the early Beatles stuff” — in particular, Felder says, George Harrison’s approach to the guitar on Meet the Beatles.

John Oates – Good Road to Follow (2014)

John Oates – Good Road to Follow (2014)

John Oates wrote or co-wrote some 82 songs between 1972-2003 as part of Hall and Oates, including the No. 1 hits “I Can’t Go For That” and “Out of Touch.” So, really, it’s easy to understand his interest in mixing it up with some new collaborators.

(Cross the) Heartland: Pat Metheny, “Pretty Scattered” (1980)

(Cross the) Heartland: Pat Metheny, “Pretty Scattered” (1980)

Sometimes, it’s all about Ornette. On the whole, 80/81 comfortably visits “out” material and more straight ahead jazz, with a healthy introduction to Pat’s idea of “folk jazz.” Some of the glue that holds all of this together is the influence of Ornette Coleman.