Toto, despite achieving fame as a ballads act, has consistently pushed itself to new heights in the studio.
Archive for March 9th, 2014
Somehow, Ray LaMontagne lost his mojo. A year went past after the release of his Grammy-winning God Willin’ and the Creek Don’t Rise project. Then two. Then four. Other than the stand-alone track “Empty,” LaMontagne simply walked off the musical map.
Frequently compared to a scruffier version of Elvis Presley, Gene Vincent experienced a brief burst of commercial success in the late 50s with cool-cat rockers such as “Be-Bop-A-Lula,” “Race With The Devil, “Blue Jean Bop,” and “Crazy Legs.”
Brian May was careful, when talking about Adam Lambert’s initial North American tour with Queen, to say that the former Idol finalist is “never an imitator. He finds his own way with the songs.”
Eric Reed, who rose to fame in the early 1990s with Wynton Marsalis, has discovered a well spring of inspiration in the music of Thelonious Monk, as “Gallop’s Gallop” heralds his third tribute album to the offbeat jazz genius.
<<< BACKWARD (“Selfish Gene”) ||| ONWARD (“Somebody’s Saturday Night”) >>> *** STEELY DAN SUNDAY INDEX *** “Do You Remember The Name” is one is the few Becker solo songs where I wonder what it would sound like if Donald Fagen co-wrote the music and worked on the arrangements.
He was in the Beatles and Wings for roughly a decade a piece. But Paul McCartney has been collaborating with his current band for far longer.