Time is right for in-depth look back at Rush’s self-titled 1974 debut

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It may be hard to believe that Rush’s debut album is 40 years old this year, but it’s also sometimes kind of hard to believe it’s really Rush on this album.

Rush’s self-titled 1974 studio effort was packed to the gills with the same Zeppelin-derived riffing that would mark their early handful of albums, but it’s also the only album whose lyrics are penned entirely by singing bassist Geddy Lee. (1976’s “Tears” from 2112, and 1977’s “Cinderella Man” from A Farewell To Kings are some of his other notable lyrical contributions.) Lyrical drummer Neil Peart would join the band by the recording of Rush’s next album. John Rutsey holds down the back line here with a solid, if unnoteworthy, contribution on drums.

The contrast between Lee’s lyrics and Peart’s is pretty stark. Rush is filled with songs about the beer-drinkin’ life of blue-collar types (“Working Man”), returning to loved ones (“Finding My Way”), and gettin’ busy, possibly with whomever you “found your way” back to (“In The Mood”), and, you know, just being friends (“Take A Friend”). They’re lyrically pretty thin, but three of those (sans “Friend”) are legitimate Rush staples, popping up frequently in concert. Why? Because they rock your socks off, that’s why.

Being the 40th anniversary, and being crafty record label exec types that they are, Universal Music is going to concoct a special edition of the album to mark the album’s birthday. While the sources are quiet on additional material to make this truly special, I can speculate on a couple of things: First, following the trend set first by the Sector box sets, and the deluxe editions of Moving Pictures and 2112, I’d be shocked if there isn’t a surround-sound and high-resolution DVD/Blu-ray accompanying the album. But even at that, it’s a pretty minor anniversary edition.

What Rush fans really want are legitimate, bonafide official releases of the first Rush single, now extremely rare, consisting of a cover of Buddy Holly’s “Not Fade Away” and backed with “You Can’t Fight It,” originally released on Moon records in 1973. Where else could this possibly fit? But there’s more that fans really want from this period — “Garden Road” and “Fancy Dancer,” two reportedly recorded but never released outtakes from the Rutsey period, along with others like “Bad Boy,” “Slaughterhouse” and “Run Willie Run.”

Peart has responded to questions about the first two unreleased songs: “Two original songs written before I joined the band? Well, why do you think we never recorded them?” Sure, this isn’t a great in-the-Rush-canon moment, but if they’re going to do it, the time is now to do it right.

Tom Johnson

Tom Johnson

Tom Johnson has contributed to Blogcritics, and maintained a series of stand-alone sites including Known Johnson, Everything is a Mess and others. He studied both creative writing and then studio art at Arizona State. Contact Something Else! at reviews@somethingelsereviews.com.
Tom Johnson
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  • Seth

    I believe Geddy also wrote lyrics on 2112 for Tears and Lessons.

  • Tom

    Damn, you’re right. Though actually it’s Alex that wrote Lessons while Geddy handled Tears. Not songs that I revisit particularly often, I have to admit.

  • Mike

    Geddy also wrote “Different Strings” on Permanent Waves and wrote a majority of “Fly By Night.” Fly By Night is an excellent album!

  • Tom

    Great album, I agree, but Fly By Night is lyrically all Peart. Certain songs have credit going to Geddy or Alex alone for the music, rather than them as a music-writing team.

    I guess you can tell my biases in the Rush catalog – I space on anyone else’s lyrical contributions because I rarely listen to those tunes. Funny though that Geddy’s ‘My Favorite Headache’ is pretty solid lyrically. There, it’s evident that some of Neil’s skills rubbed off after nearly 25 years together.

  • I believe Geddy wrote the lyrics for “In The End” on Fly By Night