If 1987’s Document heralded the moment when R.E.M. started to get away from us, the follow up Green confirmed things: This wasn’t going to be our little secret anymore.
Archive for May 11th, 2013
Steve Miller says his next album will be “a really interesting thing” where the classic rocker combines jazz instrumentals with blues lyrics.
In 1993, I had little to no interest in Shotgun Messiah. I considered them one of the also-rans of the late 1980s glam metal scene. Their previous two albums hadn’t connected with me
Carl Palmer has come to terms with the apparent dissolution of Emerson Lake and Palmer, after having performed with them just once — at the High Voltage Festival three years ago — since 1998.
Merciless abuse continues to be heaped on the current album from Geoff Tate’s Queensryche, as a new video compilation of withering fan insults surfaces — intercut with stunned reactions from Tate himself.
The outstanding, early Pink Floyd-inspired debut album of Jacco Gardner is easily the best album of 2013, even this early out in the year. Gardner is like a lighthouse beacon in a fog of mediocrity of pop music.
Pete Seeger bluntly refutes the oft-told notion that he tried to pull the plug on Bob Dylan’s first electric performance at the Newport Folk Festival in 1965. In fact, Seeger says he was upset over the primitive sound system.