The center point of this new Fleetwood Mac EP is a track thought lost from the Buckingham-Nicks era, a song that once might have just been about being in love but now billows with a very mature sense of acceptance.
Archive for April, 2013
If your complaint about Michael McDonald’s brand of city-slicker soul, dating all the way back to the Doobie Brothers, was that it lacked a certain grease-popping earthiness, “Judgement Day” certainly bolsters the argument.
‘It will be a grand jaunt': The Band’s Garth Hudson, Sister Maud set for series of summer appearances
Even as Garth Hudson continues working on a new studio effort, the Band’s very busy multi-instrumentalist is prepping for a tour in Japan, to begin at the end of July.
Sasha Papernik isn’t the first person to attempt to untangle the verities of love in song. Yet Victory, a dark and dangerous piece of noir-inspired songcraft, lures you in anyway.
From San Diego, California came the Monroes, whose impossibly infectious “What Do All The People Know” stalled at the #59 spot on the national charts in the spring of 1982.
‘Feeling rejuvenated and inspired': Journey’s Neal Schon at work on new music with Chickenfoot, Jan Hammer
Guitarist Neal Schon is returning to some familiar 1980s-era musical associations — though neither of them are Journey. Instead, he’s rekindling associations from the days of HSAS, and Schon and Hammer.
The allure of Danish-Swedish quartet David’s Angels comes from their uneasy truce among chanteuse jazz, avant-Prog and indie rock, and the tension that creates
The sound is bad, and the image is worse. But we’ve gotten a glimpse into a third track from Black Sabbath’s forthcoming Ozzy Osbourne reunion record with “Methademic,” a track that seems sadly appropriate considering Ozzy’s latest back slide
It isn’t exactly a shock to see news of a new Boards Of Canada album, not after they snuck out a handful of copies (literally) of a surprise single for Record Store Day a week ago for very lucky buyers to stumble upon.
James Cotton has long referred to his regular working band as “my family,” so close is their sense of musical symbiosis, so long is their history. Still, to my ear, he’s never put out a more personal album than the forthcoming Cotton Mouth Man.