Something Else! sneak peek: Yoko Ono, “Hold Me” from ONO.MIX (2013)
Yoko Ono’s newest single “Hold Me” has arrived, continuing her on-going dance-focused ONO.MIX project — this time with Dave Aude, a well-traveled composer and producer.
Read more ›Yoko Ono’s newest single “Hold Me” has arrived, continuing her on-going dance-focused ONO.MIX project — this time with Dave Aude, a well-traveled composer and producer.
Read more ›The Music of Tim Green from Boat Safety Films on Vimeo. We’ve chatted up the winner of the 2008 Thelonious Monk saxophone competition a lot, and Jon Irabagon has managed to insert himself into a lot of vital jazz albums since his big win. You know, the guy who came in second isn’t so shabby, either.
Read more ›As Boston continues on without the late vocalist Brad Delp, it is taking the equivalent of a small army of people to replace him on live dates.
Read more ›Marillion is currently touring behind the well-received Sounds That Can’t Be Made, though you’d hardly know it based on radio airplay — even in their native England. Long-time guitarist Steve Rothery says that’s par for the course.
Read more ›Derek Trucks is coming off a signature year, highlighted by a Grammy win for the Tedeschi Trucks Band and an appearance with wife Susan Tedeschi at the White House. They’ll return to the studio in February
Read more ›Probably anyone between the ages of 40 and 60 would be surprised to learn that Squeeze’s most familiar song didn’t even crack the top 40 in the US, much less the top 20.
Read more ›All of the guitar gods were gone, or otherwise occupied. Drum machines had replaced stomping feet. There were synthesizers instead of someone slapping on the 88s. Into this unlikeliest of scenarios stepped Stevie Ray Vaughan.
Read more ›Not many artists can claim to having a hit single twice with the same song. But the Wailers from Tacoma, Washington accomplished such a rare feat.
Read more ›Over the course of Matthew Shipp’s Blue Series releases, I have spent a not insignificant amount of time pushing, pulling, and molding words into shape in the effort to describe Shipp’s ever-changing musical concepts.
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