<<< BACKWARD (“Confide In Me”) ||| ONWARD (“Down In The Bottom”) >>> *** STEELY DAN SUNDAY INDEX *** Another Fagen rarity, first appearing as the B-side to the “Trans-Island Skyway,” and finally finding a long-player home on the Nightfly Trilogy in 2007. No, wait, it actually first appeared as a Jennifer Warnes recording, on her 1992 disc, The Hunter.
Archive for December, 2012
Blending elements of arena rock, prog and metal, Heroso confounds expectations in the very best of ways. The album opener, called “Act 1,” begins as a tensile, mainstream rocker, marked by a searching riff courtesy of Brian Rohr
There’s definitely no lack of compilation albums promoting gooey goodies from the late 1960s and early 1970s, but this particular collection, which I picked up at the Dollar Store, is what I’ve been spinning the refried beans out of
It seems that many year-end arts and music lists feature a kind of longing look back at the supposed “good old days.”
Brit-styled power pop has been making undiluted rock bouncy and fun since the Beatles and “Can’t Buy Me Love” took the world by storm in 1963. New wave bands that emerged at the end of the 70s such as Squeeze The Cars, The Romantics and The Knack reminded us of why we went apeshit over the Fab Four, The WhoRead More
Flush with beauty and mystery, “Elusive Butterfly” by Bob Lind remains one of the greatest tunes ever to inhabit the airwaves. The track reached #5 on the charts, both in America and Europe, making an instant star out of literate singer/songwriter, who was born in Baltimore, Maryland.
Pete Molinari’s second album found him going electric, with spectacular results. This felt more like a debut album than his all-acoustic low-fi Walking Off The Map.
As one of jazz’s more restless saxophonists of his generation, Jeremy Udden has moved from the “melodic jazz-rock” of his Torchsongs ensemble to the country/folk-inflected jazz of Plainville.
Readers’ Top 10 for 2012: The Beatles, Toto’s Steve Lukather, Bob Dylan, Rush, The Monkees, Donald Fagen
In 2012, readers flocked to a boisterous discussion on those times when the Beatles didn’t exactly impress.
You might be tempted to peg Simon Sullivan, a Canadian singer-songwriter and harp player, as a bluesman. And there’s plenty of that to be found here. In the end, though, that would be selling the genre-busting Groovin’ short.