Archive for October 24th, 2012

by / on October 24, 2012 at 7:44 pm / in Metal, Rock Music

‘We were flavor of the week’: Van Halen’s David Lee Roth on classic videos for “Jump,” “California Girls”

Episode 2 of “The Roth Show,” starring Van Halen frontman David Lee Roth, takes fans into the creative process behind his memorable videos for the 1980s hits “Jump” and “California Girls.”

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by / on October 24, 2012 at 6:20 pm / in Rock Music

‘It is a pill that induces psychedelia’: Highlights from Neil Young’s fan Q&A today on Twitter

Neil Young invited fans to an online Q&A today on his newly launched Twitter account, covering a range of topics from the mundane to the musical. And, in the style of the micro-blogging site, he did so with very, very brief answers.

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by / on October 24, 2012 at 9:01 am / in Progressive rock, Something Else! Interviews, Uncategorized

Something Else! Interview: Marc Bonilla, of the Keith Emerson Band

Despite having collaborated with him for years, in some ways Marc Bonilla is still that kid watching as Keith Emerson took the stage in Oakland for 1974′s Brain Salad Surgery tour with Emerson Lake and Palmer.

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by / on October 24, 2012 at 8:28 am / in Jazz, Uncategorized

Avishai Cohen – Triveni II (2012)

For Triveni II, Avishai Cohen (the trumpet player, not the bass dude), the stated intention of this record was to recreate the feeling Cohen got from listening to Billie Holiday: “a feeling that’s pure, simple and honest.”

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by / on October 24, 2012 at 7:49 am / in Country, Folk, Pop Music, Uncategorized

Andrew Bird – Hands of Glory (2012)

Andrew Bird shelves the intricate alterno-pop vibe of this year’s earlier Break It Yourself for something rootsier, and more real here — delving into Celtic forms, Americana, bluegrass, country and gospel

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by / on October 24, 2012 at 7:26 am / in Fusion Jazz, Uncategorized

Pat Metheny – New Chautauqua (1979)

Lately I’ve been thinking a lot about this certain Pat Metheny album from long ago. Since the first time I’ve heard it in the music listening room at my college’s student union in the early ’80s, New Chautauqua (ECM Records) has been one of those records in which I’ve sought refuge

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