S. Victor Aaron’s Half-Year List of Top Albums for 2012, Part 2 of 4: Modern/ Mainstream Jazz

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Here we are only halfway done with 2012 and it’s already been a bangin’ year for modern and mainstream jazz, whether you prefer a celebration of the tradition or an expansion of the frontiers. The artists born in the 70s and 80s naturally tend to be the ones bringing the fresh perspectives, but as the list reveals, those born in the 20s and 30s are still making music with a lot of life in them…including a “new” set of recordings by someone who’s been dead for more than thirty years.

So here are the selections, which like the non-jazz list, are unranked and unlimited to a set number of choices. Also like the non-jazz list, there are eleven selections. Pure coincidence, I swear. Click through the titles for the complete reviews …

Vijay IyerAccelerando: The use of modern rhythms, imaginative arrangements, creative material and just plain, old fashioned butt kicking virtuosity makes Accelerando a strong album from nearly every aspect by which a modern jazz album can be judged. The frontrunner for the jazz album of 2012.

Orrin EvansFlip The Switch: Orrin Evans poured in heaping doses of his heart as well as his head in making this album, setting a new high water mark for this exceptional talent.

Brandon WrightJourneyman: A solid, tight set from a fast-rising saxophone star who on his second time out already got the chops and the vision down.

Bills EvansLive At Art D’Lugoff’s Top Of The Gate: Not the best-ever live Evans souvenir but it’s well engineered and any newly released recordings by this man is a rare treat.

[SOMETHING ELSE REWIND: See S. Victor Aaron’s non-jazz Half-Year List of Top Albums for 2012.]

Brian CharetteMusic Organ Sextette: Charette had a great idea to shake up the traditional organ combo format by adding four horns to it and offered something unique that succeeded not because of the idea, but because the idea was executed so well.

Luis PerdomoUniversal Mind: This set led by Ravi Coltrane’s pianist is everything you could ask for from a mainstream jazz piano/bass/drums record: well-constructed compositions, exemplary performances and outstanding rapport.

photo: Keith MajorKenny GarrettSeeds From The Underground: Few can distill the influences of jazz’s greats from the 50’s and 60’s into a singular, spiritual voice like Kenny Garrett’s sax and songs. This is one of the better products of his appealing style.

Steve KuhnWisteria: Kuhn’s unwavering commitment to the melody, along with the devotion to understated prowess of a prime trio lineup, lifts Wisteria well above your run-of-the-mill piano trio albums.

[SOMETHING ELSE REWIND: See what Nick Deriso chose for his own jazz favorites in his Half-Year List of Top Albums for 2012, Blues and Jazz Edition.]

Ahmad JamalBlue Moon: At 82, Jamal sounds as vital as ever. Manolo Badrena amps up the groove factor.

Omer AvitalSuite Of The East: Underrated bassist/composer Avital waited for the right time to record this stash of songs, and given the performances of these special musicians, he wisely struck while the iron was red hot.

Aruán OrtizOrbiting: Elegant and incisive, Ortiz spins his songs like a mystery to be solved over several, satisfying listens. Guitarist Dave Gilmore makes a great guitar foil.

NEXT UP: Part 3, Whack Jazz

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S. Victor Aaron

S. Victor Aaron

S. Victor Aaron is an SQL demon for a Fortune 100 company by day, music opinion-maker at night. His musings are strewn out across the interwebs on jazz.com, AllAboutJazz.com, a football discussion board and some inchoate customer reviews of records from the late 1990s on Amazon under a pseudonym that will never be revealed. E-mail him at [email protected] .com or follow him on Twitter at https://twitter.com/SVictorAaron
S. Victor Aaron
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