Metallica’s Kirk Hammett will publish his first book, Too Much Horror Business: The Kirk Hammett Collection, documenting his love of all things horror, and the legendary collection of horror memorabilia he has amassed over the years. TMHB, available this October via Abrams Image, is a 228-page, hardback, large format coffee table book featuring well over 300 full color images from Kirk’s private collection and exclusive set photography by Mark Leialoha and Joe Gibbs. There will be three extensive conversations with writer Steffan Chirazi covering the importance of collecting in Hammett’s life from childhood, plus written captions by Kirk for many of the items displayed in the book.
“This is my gift to all the other horror nerds out there who are just like me,” Kirk says. “It’s been made with great love for all the many characters and movies which guided me through childhood, into adulthood and which still keep me on track today.”
On June 23-24 at Orion Music+More, the new annual festival founded by Metallica and taking place in Atlantic City, NJ, fans will see a preview of what’s to come in Too Much Horror Business. Hammett will be hosting Kirk’s Crypt and offering fans an extraordinary glimpse into his collection. More information can be found by visiting www.orionmusicandmore.com.
In addition to Too Much Horror Business, Hammett will also commence producing collectible items through his Kirk Von Hammett line. Each of the collectibles will be limited edition, with the first one being available on October 1 at www.kvhtoys.com. In the meantime, Too Much Horror Business T-shirts are on sale now.
Here’s a look back at our thoughts on Metallica. Click through the titles for complete reviews …
LOU REED AND METALLICA – LULU (2011): As per usual, there were a lot of reviewers out there straining themselves to come up with clever ways to say how much they hated this record. This reminds me of St. Anger, which had a kind of brutal and claustrophobic intensity that really dug in. And speaking of brutal, Frank Wedekind’s Lulu plays were drenched in it — a young German dancer sexing it up with rich men, rampant violence, and even a collision with Jack the Ripper. So all of those comments about Reed’s “random mumblings” are more than a little off base. Me, I kinda dig it when Reed is croaking out “Jack, I beseech you!!” as the boys are grinding away behind him.
ON SECOND THOUGHT: METALLICA – ST. ANGER (2003): Some trademark riffs were noticeable here and there, but essentially the band’s sound on St. Anger was all new, and as such I had to listen to this as if the band was new to me too. And what I heard was, if not especially groundbreaking, an aggressive, honest assault that was straining to free itself of the past while doing the very things the band knows the fans love about them. No, it’s still not perfect: James Hetfield’s singing is not a highlight by any means (where is that growl we all loved so much, James?), and there’s nary a guitar solo out of Kirk Hammett to be found. But if you give it an honest chance, it might just work its way into you the way their old material did.