Foreigner – Alive and Rockin' (2012)

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Foreigner’s new live album is neither all that bad, nor all that good — probably worth the ticket price at the original concert venue, if you don’t pay too much attention, but instantly forgettable as a home listening experience.

Alive and Rockin’ — due May, 29, 2012 from Eagle Rock — attempts to rock a little harder at times than did the initial albums. Still, despite some tasty licks from Mick Jones (the band’s lone remaining original member) and the presence of thumper Jason Bonham at the drums, the results are typically more loud than they are distinctive.

Meanwhile, vocalist Kelly Hansen, former lead singer with Hurricane, is merely adequate — usually not taking it too far, but also not often matching the coiled emotional intensity of Lou Gramm, either. Not that he doesn’t try. At one point, during a faltering crowd sing-along for “Dirty White Boy,” Hansen pleads with the fans at Germany’s Bang Your Head Festival, saying: “I can’t hear shit!”

Me, neither, really: Strip away the furious riffing, and the band’s straight-ahead rockers — “Double Vision,” “Hot Blooded” — move along like a featureless landscape. Foreigner is less a band these days, it seems, than a group of studio musicians. There’s keyboardist Jeff Jacobs, a former touring member of Billy Joel’s band in the Storm Front era; and multi-instrumentalist Tom Gimbel, who has worked on the road with Aerosmith; and bassist Jeff Pilson from Dokken. Each is competent, to be sure, but they work together here without an essential chemistry this band used to have.

The real test for Hansen would be on the mid-tempo or change-of-pace numbers (“Head Games,” “Urgent,” “Jukebox Hero”) that initially showcased Gramm. Again, he does OK. I thought Foreigner’s blending of “Jukebox” with Led Zeppelin’s “Whole Lotta Love” — a nice tip of the hat to the legacy of Bonham’s father — was mildly inspired. But “Urgent” is a disaster: Gimbel transforms Junior Parker’s original sax solo, this percolating blast of sexual bravado, into a messy squall — and, no matter Hansen’s increasingly desperate urgings to the crowd (“are you ready for some saxophone?!?), the song goes nowhere.

Really, none of it does. And it’s not entirely Hansen’s fault. Unlike several of the other dinosaurs of rock who continued without one of their lead singers — Chicago, the Beach Boys, Pink Floyd, Styx — Foreigner had a singular figure as its frontman from its genesis to its zenith. That makes Lou Gramm’s absence so much more difficult to overcome.

It’s certainly Mick Jones’ right to go on, and Hansen’s to give it his best. Unfortunately, though, Alive and Rockin’ left me cold as ice.

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Nick DeRiso

Nick DeRiso

Nick DeRiso has written for USA Today, American Songwriter, All About Jazz, and a host of others. Honored as columnist of the year five times by the Associated Press, Louisiana Press Association and Louisiana Sports Writers Association, he oversaw a daily section named Top 10 in the U.S. by the AP before co-founding Something Else! Nick is now associate editor of Ultimate Classic Rock.
Nick DeRiso
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  • matt

    I actually think that Foreigner is one of the better units out touring right now. Mick Jones has done a great job of assembling a team of replacement players filling some pretty big shoes. I LOVE Lou Gramm and the thought of seeing Foreigner with anyone but Lou made me sad.

    But after the new lineup sold out four shows here in the space of two years, I had to give it a look. Live, they really are something. For some reason, that really doesn’t seem to translate to the live albums….at least this one and the earlier “Extended Versions”release. But I think the more recent live releases might bottle it better.

    What it comes down to for me is this: I love seeing these guys live, but if I am home, why wouldn’t I just listen to Gramm era live material? That being said, I recommend that you should go see them live at least once. Also…..their latest studio album Can’t Slow Down was quite solid. Unexpectedly so, even.