The initial song from Americana, Neil Young’s upcoming collaboration with Crazy Horse, has emerged: A scalding, feedback-laden take on the traditional track “Oh Susannah.” Check it out here!
“Susannah” serves as the opening cut on Americana, due June 5, 2012, kicking off a set that features a slew of songs familiar from the American folk songbook, childhood music classes and old Smithsonian records. Also included are “Tom Dooley,” “She’ll Be Coming ‘Round the Mountain,” “Clementine” and “This Land is Your Land.”
But if the material itself caused some fans to scratch their heads, the sound of this tune — which erupts like a bubbling cauldron of scruff rock — is perfectly in keeping with the best collaborations between these two over the years. “They’re songs we all know from kindergarten,” Young admitted during this year’s Slamdance Film Festival. “But Crazy Horse has rearranged them, and they now belong to us.”
Americana is Crazy Horse’s first collaboration with Young since 2003’s Greendale, and the first to include the expanded lineup of Billy Talbot, Ralph Molina and Frank “Poncho” Sampedro since 1996’s Broken Arrow. Crazy Horse has appeared on all or part of some 20 Neil Young projects, notably 1970’s After the Gold Rush, 1975’s Tonight’s the Night and 1979’s Rust Never Sleeps, as well as the minor pop hit “Cinnamon Girl.” The band appeared with Young on February 10, performing “I Saw Her Standing There” at the MusiCares tribute to Paul McCartney.
Here’s a look back at our recent thoughts on Neil Young, including a report by Glen Boyd — author of the forthcoming book ‘Neil Young FAQ’ from Backbeat Books/Hal Leonard Publishing. Click through the headlines for complete reviews …
SOMETHING ELSE! INTERVIEW: NILS LOFGREN OF CRAZY HORSE: Working on seminal recordings like After the Gold Rush and Tonight’s the Night, Lofgren told us, “was obviously a gift from musical heaven. I would sneak backstage all the time to ask advice from my musical heroes. Neil’s first Crazy Horse tour came through town to the Cellar Door, and I go back to a little dressing room. He was kind enough to hand me a guitar and let me sing. The next thing I knew, I spent the weekend hanging out with him. He said: ‘Look me up when you get to L.A.,’ and I did. So at 18 years of age, when he asked me to do After the Gold Rush, as intimidating as it was, I recognized it as a very blessed opportunity – and fortunately, it was with somebody that I knew a bit. As overwhelming as it might have been, I had a comfort level. That made it possible for me to hang in there and get the job done. It was a great adventure.
NEIL YOUNG – LE NOISE (2010): Even after a damaging season of loss, Neil Young remains, as always, restless and relentless — imbuing the modernistic, reverb-soaked Le Noise with a kind of anti-melancholy. He hasn’t stopped searching for light in the darkness and, even now, somehow never sounds quite the same from album to album. This time, Young partners with producer Daniel Lanois, recording alone with his guitar in an atmosphere that sounds nothing like the typical unplugged session. There’s no Stills, no Crosby or Nash and no Crazy Horse. Instead, this textured, live-sounding project finds a place in between Young’s acoustic work and his more muscular full-band rock music.
FORGOTTEN SERIES: NEIL YOUNG AND THE INTERNATIONAL HARVESTERS – AUSTIN CITY LIMITS (1984): Of all of Neil Young’s 1980s genre experiments, his country period is perhaps the most misunderstood of them all.For one thing, Neil had a hell of a band back then in the International Harvesters. This band of Nashville cats may not have blown down arena doors with the same ferocity as Crazy Horse or, for that matter, Pearl Jam. But as this 1984 ACL concert proves, they could more than hold their own with Neil Young on an extended version of “Down By The River.” In fact, a very young at the time Anthony Crawford’s guitar interplay with Neil here, very nearly pulls off the enviable trick of summoning up the ghost of the late Danny Whitten himself.
NEIL YOUNG – LIVE AT MASSEY HALL 1971 (2007): A showcase for Young and his songwriting at an early career peak. Played on acoustic guitar and sometimes piano, Young definitely had that audience in full control. Many of the songs, new at the time, went on to become part of his classic Harvest LP. It’s a fine album. The content of the songs is cranked up quite a bit with this intimate setting. There may be no Crazy Horse sonic heaviness on “Cowgirl In The Sand,” but the emotional directness of the setting more than makes up for it.
[amazon_enhanced asin=”B007N85ZXY” container=”” container_class=”” price=”All” background_color=”FFFFFF” link_color=”000000″ text_color=”0000FF” /] [amazon_enhanced asin=”B002B447U2″ container=”” container_class=”” price=”All” background_color=”FFFFFF” link_color=”000000″ text_color=”0000FF” /] [amazon_enhanced asin=”1617130370″ container=”” container_class=”” price=”All” background_color=”FFFFFF” link_color=”000000″ text_color=”0000FF” /] [amazon_enhanced asin=”B0000AI44Q” container=”” container_class=”” price=”All” background_color=”FFFFFF” link_color=”000000″ text_color=”0000FF” /] [amazon_enhanced asin=”B000002LMK” container=”” container_class=”” price=”All” background_color=”FFFFFF” link_color=”000000″ text_color=”0000FF” /]
Here’s a complete track listing for Neil Young and Crazy Horse’s ‘Americana’:
“Get A Job”
“High Flyin’ Bird”
“She’ll Be Comin ’Round The Mountain”
“This Land Is Your Land”
“God Save The Queen”