At first blush, Norah Jones’ new Danger Mouse-produced effort sounds like post-modern mood music. But there’s something else going on here.

This time out, I’d like to delineate how it is for me when I go somewhere to appear as a guest artist. Specifically, I’m thinking about the time I headlined the Cathedral Park Jazz Festival in Portland, Oregon. You May Also Like: No related posts.

As a band, Saigon Kick didn’t fit the cookie cutter mold of the time. Don’t believe me? Check out their underrated self-titled album.