Alyssa Graham’s “High Time,” this melancholy remake, transforms a familiar Grateful Dead song from 1970 into a scorching tale of hope replaced by regret.
There was something about the gentle backwoods twang of the original that felt idyllic, despite the lyric’s obvious lonesomeness. As performed by Jerry Garcia and Co., you couldn’t help but think there was still a shot at redemption. Not here: Graham’s take is all nostalgic longing; there’s a very real sense that it’s all over.
“High Time,” of course, originally appeared on the Workingman’s Dead, a more song-based, decidedly un-shambolic project that took flight through Garcia’s writing partnership with Robert Hunter — and the Dead’s obvious infatuation with the country-rock feel (and, in particular, the vocal intertwinings) of Crosby, Still and Nash. This track was one of those that most closely mimicked their soaring harmonies, a technique that heretofore had been absent in the Grateful Dead’s sound.
Graham, however, goes it alone vocally, with just the addition of a fuzzy electric guitar toward the end — all the more to underscore this new take’s brilliantly executed, quickly enveloping aloneness.
“High Time,” available now on iTunes, is part of the recently released Lock, Stock and Soul EP on Sunnyside Records, produced by Grammy-winner Craig Street. Graham’s talented backing band includes bassist Me’Shell Ndegeocello, guitarist Chris Bruce (Sheryl Crow and John Legend) and keyboardist Keefus Ciancia (Elton John and Iggy Pop). Guests include longtime musical partner and songwriter Doug Graham; Jesse Harris, who is known for his work with Norah Jones; Madeleine Peyroux and Austin Music Hall of Fame member Davíd Garza, among others. A full-length project is expected later this year.
[amazon_enhanced asin=”B001ASIHWO” container=”” container_class=”” price=”All” background_color=”FFFFFF” link_color=”000000″ text_color=”0000FF” /] [amazon_enhanced asin=”B00007LTIK” container=”” container_class=”” price=”All” background_color=”FFFFFF” link_color=”000000″ text_color=”0000FF” /] [amazon_enhanced asin=”B0009VXBAQ” container=”” container_class=”” price=”All” background_color=”FFFFFF” link_color=”000000″ text_color=”0000FF” /] [amazon_enhanced asin=”B002M2Z3LK” container=”” container_class=”” price=”All” background_color=”FFFFFF” link_color=”000000″ text_color=”0000FF” /] [amazon_enhanced asin=”B001W2FCW6″ container=”” container_class=”” price=”All” background_color=”FFFFFF” link_color=”000000″ text_color=”0000FF” /]
- How Deep Cuts on ‘Music From Big Pink’ Underscore the Band’s Triumph - July 31, 2023
- How ‘Islands’ Signaled the Sad End of the Band’s Five-Man Edition - March 15, 2022
- The Band’s ‘Christmas Must Be Tonight’ Remains an Unjustly Overlooked Holiday Classic - December 25, 2016
