by Mark Saleski
I’m not generally known for buying best-of packages (the last exception was Tom Waits’ Used Songs, because I arrived on vacation to discover that I’d not packed any Waits. Two weeks with no Tom Waits? No way!), but Ani’s career has been so prolific that this is a great survey. That, and I love to support her because of the way she’s remained truly independent. OK, and I love the play on words, what with ‘canon’ and the picture and the doves.
‘Half Notes’ are quick-take thoughts on music from Something Else! Reviews, presented whenever the mood strikes us.
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Mark Saleski is a writer and music obsessive based out of the woods of central New Hampshire. A past contributor to Jazz.com, Blogcritics.org and Salon, he originated several of our weekly features including the Friday Morning Listen, (Cross the) Heartland, WTF! Wednesday, and Sparks Fly on E Street. Follow him on Twitter: @msaleski. Contact Something Else! at [email protected].
Latest posts by Mark Saleski (see all)
- How Eric Clapton’s ‘Me and Mr. Johnson’ Made the Case for British Blues - March 20, 2024
- Why Todd Rundgren’s ‘Back to the Bars’ Remains So Powerful - December 13, 2023
- Reevaluating Bruce Springsteen’s ‘The Wild, the Innocent and the E Street Shuffle’ - September 11, 2023
