A couple of years back while covering a record by the whack jazz-funk-rock big band Burnt Sugar the Arkestra Chamber I picked out Living Colour’s Vernon Reid’s contributions to the collective, but he wasn’t the only guitarist on there.
by Tom Johnson I awoke at 3 a.m. and that was it. My sleep was over. I laid awake for hours, mentally shaking an invisible, frustrated fist at the darkness. It wasn’t the first such night; it won’t be the last.