For Junior Wells, there was just something about working with Buddy Guy. On Hoodoo Man Blues, a spark-filled mid-1960s Chicago blues album, Wells stops on more than one occasion, while letting loose these flying shards of harmonica blasts
Archive for August, 2011
An ambitious debut featuring seven original titles, George Lernis’ Shapes of Nature is a great new example of how Tony Williams’ legacy continues to play out in jazz.
by Mark Saleski When this album arrived in 2003, part of me wanted to say that nothing much had happened since Blood Sugar Sex Magik. But the thought was really closer to “I haven’t gotten off on much of their stuff since BSSM.
A quick glance at the credits on Britsh ex-pat keyboardist John Escreet’s new album The Age We Live In indicates a knack for bringing together some of today’s most prominent forward thinking New York jazz musicians: David Binney, Wayne Krantz, Marcus Gilmore, Tim Lefebvre, and so on. But listening to the music tells you all you need to know whyRead More
This tune begins, in its familiar way, with a soaring keyboard signature we’ve all come to associate so fully with Keith Emerson’s opening of Aaron Copland’s “Fanfare for the Common Man,” as interpreted in 1977 by Emerson, Lake and Palmer.
by Fred Phillips Over the past few months, Shooter Jennings has released two free compilations for his unfortunately named XXX movement, which are both still available for free download
You’re forgiven for forgetting that Chris Connor, one of the premier cool-jazz vocalists, took a quick detour into popular music in the mid-1960s.
Three years into Battles’ existence, it had only issued a single and two EPs — until this, their long-awaited debut album. The wait was more than worth it. Where the EPs hinted at what was to come, they suffered a bit from a band struggling to define themselves. Mirrored proved that Battles had discovered who they are: the bastard childrenRead More
Kate Bush didn’t make much of a stateside splash, despite achieving fame 25 years ago in Britain. So remakes like this one from Johanna and the Dusty Floor, brilliant though they may be, likely resonate with most listeners as if they were brand new.
German pianist Christian Pabst is still studying (at the European Jazz Master’s Programme at the Conservatorium van Amsterdam), but his new CD with his longtime trio shows that he’s already learned a lot. Maybe it only seems that way because of the rapport he’s developed over the years with drummer Andreas Klein and bassist David Andres, or maybe because PabstRead More