by Tom Johnson
Sarah McLachlan’s angelic voice is reason enough to check out this new album. It’s certainly not to hear anything particularly new: Afterglow was just more of what Sarah does so well. The most powerful segments of the album arrived early on, with the more up-tempo material providing more reason for returning repeatedly, as the ballads often came across less meaningful and with less impact than would be expected. The production is what enticed me immediately — deep and dramatic with strong vocals over a driving rhythm section powered by her husband, drummer Ashwin Sood, and emotive basslines from the man, Tony Levin. Unfortunately, many songs are marred by whispy, distracting electronic noises that are entirely unnecessary and sound like a desperate attempt to make the music sound more modern. The result, sadly, is that some songs simply sound more new-age oriented.
[amazon_enhanced asin=”B0000C6E4D” container=”” container_class=”” price=”All” background_color=”FFFFFF” link_color=”000000″ text_color=”0000FF” /]
Latest posts by Tom Johnson (see all)
- The Who’s new remasters for iTunes and HDTracks hold a special surprise - November 14, 2014
- Def Leppard – Slang (1996; 2014 Deluxe Edition reissue) - June 6, 2014
- Time is right for in-depth look back at Rush’s self-titled 1974 debut - January 7, 2014