You don’t see me cover a lot of jazz vocalist or smooth jazz records, so you may wonder what is up with this piece about a record from smooth jazz’s premier vocalist, Michael Franks? When I informed our own Mark Saleski my intention to cover Franks his reaction was to disgusted “ewwwww!” but that didn’t faze me one bit.
Archive for June 28th, 2011
by Mark Saleski To the neophyte, microtonal music can seem less than accessible. Yeah, tones show up that the western ear just isn’t used to. On Stick Man, Haverstick takes microtonality and uses it in many contexts, not just ‘jazz.’ This is important because I’ve heard albums that focus so much on the ‘theory’ that the result seems a littleRead More
by Tom Johnson When Tool’s Lateralus came out a few years back, there was much talk about how intense it was going to be, how it was going to be all about building tension and sudden release. I ran out and scarfed up a copy
Liam Finn’s second solo record is different, something far more conventionally pop-infused than his 2007 debut, a thrilling but almost confusingly complex outburst of creativity called I’ll Be Lightning — and that can, at first, sound like a step backward. It starts with his noticeable drift back into the shadow of Dear Old Dad. There are times here, maybe tooRead More
by Mark Saleski Sorta like Lou Reed’s Metal Machine Music, Pat Metheny and Ornette Coleman’s Song X has long been a strange attractor for all sorts of hyperbole, rumor-mongering and dismissal.