by Tom Johnson Two words: “yawn” and “sigh.” Could there be any more plot holes in this story? Of course, I can’t really relate the story in order to display those holes so as not to destroy what little surprise this movie has in store. In short, I saw itRead More

by S. Victor Aaron Using large ensembles as vehicles for improvised music is hardly a new proposition, but can be one of the riskiest ones. After all, the more musicians involved, the more likelihood that one or more them won’t be on the same page and thus the greater potentialRead More

“The Tony Bennett/Bill Evans Album” remains, for me, one of the three or four most engrossing vocal jazz recordings — along with Sinatra’s Jobim collaboration, Ella performing with Satchmo and Nat “King” Cole’s “After Midnight.” But what made the initial Bennett/Evans project, and its follow up — 1976’s “Together Again”Read More

We’re not even four months into 2009 and already we’re here for the third time since February celebrating a new Chick Corea release. In February, it was piano/piano face-off with Hiromi called Duet, in March it was the live document of Return To Forever’s triumphant return Returns, and today it’sRead More

The frontman from ? and the Mysterians once said that voices from the future told him they would still be playing “96 Tears” in the year 10,000. So far, so good.

by Pico As before, this Quickies is an opportunity to highlight new offerings by some lesser-known jazz artists out there today. The thought crossed my mind to throw in a big name like Neil Young, but we kind of covered his Fork In The Road record last week in aRead More

“Live at Montreux,” which focuses on tunes from Wayne Shorter’s then-new album “High Life,” might have been just another night in a lifetime of concert dates — if not for the former Miles Davis sideman’s still prodigious, almost hypnotic ability on the sax. That, and some bonus cuts from MontreuxRead More

“Outlaw Pete” isn’t exactly my favorite Bruce Springsteen song, but in concert it took on new life.

A lot of best and most successful jazz artists come from the best music programs: Berklee, Manhattan School of Music, and Julliard, have all produced countless musicians who’ve gone on to make big impacts on jazz. But when talking about fertile breeding grounds for jazz greats, the University of NorthRead More

Marcus Roberts has burst back onto the jazz landscape, 11 years after his last session, with “New Orleans Meets Harlem, Vol. 1” – one of the Florida-born pianist’s most celebrated recordings. A rich and explorative combining of styles from across the legacy, Roberts’ record nevertheless retains its uniquely Southern voiceRead More