by Nick DeRiso Released in the time immediately following the Woodstock basement recordings (which wouldn’t see the light of day ’til the dawn — or is that yawn? — of disco), Bob Dylan goes twangy — and with resounding success. Folksy, without too much folk. “Rolling Stone” said “John Wesley Harding” helped set in motion a reevaluation — and a [...]

by S. Victor Aaron I was trying to get mentally prepared to actually describe a Charlie Hunter record when on a whim I decided to cue up GB’s The Other Side Of Abbey Road. That got me to thinking about Nick’s piece on the best Beatle remakes (hey Nick, I forgot one: Stevie Wonder’s sizzling 1970 version of “We Can [...]

by S. Victor Aaron So you’re looking at the album cover just to the left and guessing that it’s a vintage children’s record intended to cash in on the hit mid-sixties series starring Adam West and you would be right. But there was no such band as “The Sensational Guitars of Dan and Dale”.

by S. Victor Aaron The critics all declare Exile On Main Street to be The Rolling Stones’ magnum opus. Yeah, it’s a great album alright but for my money, I’ll take the one right before it, Sticky Fingers, anyday. From the sass of “Brown Sugar” to the gentle country of “Wild Horses” the record is mostly a merry celebration of [...]

As noted, a “leak” of some new Dylan tracks from his own record label (ahem) got me back into the stacks – and back into Bob. We’re mixing and matching here, old and new, relevant and pee-yew. That’s Dylan for you … raising our sights, but occasionally frustrating our desires, as Rolling Stone magazine’s David Fricke once said. “GOOD AS [...]

Public Broadcasting always delves into its musical archives, come pledge-drive time, and this week was no different. The local station presented an edited version of “The Concert for Bangaladesh,” the early 1970s proto-benefit show organized by Beatle buddy and future Wilbury bandmate George Harrison – and it was a special moment for Bob Dylan fans. Not just because this would [...]

by Nick DeRiso Recorded during Dylan’s songwriting rehab, after the 1966 motorcycle wreck, and not released until a decade later. These classic home recordings — done with The Band in the legendary old house known as Big Pink — showed even Bob Dylan throwaways were table scraps worth fighting over.

by S. Victor Aaron Most bluesmen sing the blues with sadness, resignation or even celebration. Not Otis Taylor. He’s got the blues and he’s pissed about it.

Parts of Bob Dylan’s soon-to-be-released record “Modern Times,” his first in five years, were “leaked” by Sony last Friday – and while I get my mind around those tracks, I’ve begun my own never-ending tour of his old stuff. “TRAVELING WILBURYS, Vol. 1,” 1988 Recording a song a day, Dylan hooks up with old and new friends – including George [...]

Filled with outtakes, rarities and in-studio goof-offs, this is more revealing, even, than the sprawling 50-something track “Biograph” set. And, in fact, loaded with more songs.